I cannot wait to show you this latest piece in person.  Some images conjure up abundance, richness, and decadence, and this is one of those images. There is plenty here for your own imagination to work on, but you won’t be able to properly see it unless you come to my studio!  Lucky for you, my studio is often open, all you need to do is contact me.  But even luckier, there are a whole bunch of studios open on May 5 & 6 in Oxford County, and mine is one of them!  I am at Location #4. 

This image you see here is a mere fraction of the size I have printed it – 24 x 24 inches.  As usual, I only have one print made of each fractal piece, on metal (or sometimes acrylic), so each is an original.  Although, I think this would make a great metal album cover don’t you?

Feast. Digital Fractal Art printed on metal, single edition print. 24×24″. Artist Lianne Todd. $450.00




Ethereal Visions

Before I begin to introduce this new piece, I would like to thank all of the nice people who visited my studio/gallery this past weekend for the Oxford Studio Tour, and showed such fascinated interest in my fractal art.  You really do help me keep the inspiration fresh!

As you may know, clouds exhibit fractal geometry.  Mandelbrot’s famous quote:

“Clouds are not spheres, mountains are not cones, coastlines are not circles, and bark is not smooth, nor does lightning travel in a straight line.”

is certainly a confirmation of that if you needed it.  That quote is from the very first paragraph of his book The Fractal Geometry of Nature and he discusses the topic in several places throughout it.

I took the photo of these clouds at sunset one evening here in Otterville.  Living down close to the historic mill in this little town, we don’t always get the best view of sunsets, but every now and then there is a spectacular one that must be photographed.  And of course since I am interested in the cloud geometry, I also like the way it is highlighted by the colours.

It seemed like a very natural place for this fractal, created in Oxidizer, to occupy.  The shape immediately brought to mind something happening in the sky, perhaps a place Zeus would be.  There was an obvious (to me) song title that came to mind too, and perhaps you can guess what it was, or maybe not.  But it didn’t quite interpret this the way I wanted, and I was stumped for a while trying to think of a title.  I liked the little spirals and the curved shapes reminded me of somersaults, and I still felt there was a musical component.

After having it printed on acrylic, and hanging it on my gallery wall, I showed it to my son, and asked him what he thought I should call it.  It didn’t take him very long to say “Aerials” and although the word on its own is ideal, I immediately knew he was referring to the song by System of a Down.  It is on their Toxicity album.  I confess I only know it (and all the other metal that I like) because of my son, but it is truly one of my favourite songs of all, and I hope they don’t mind me naming this piece of art after their music.  I agreed with him that it is the perfect title.  I don’t know why I didn’t think of it myself.  My suggestion is that you first go find and read the lyrics.  Then listen to the song.  I think you might agree too.

fractal, ethereal, sky, Lianne Todd

Aerials. Digital fractal art printed on acrylic, single edition. 20×20″. Artist Lianne Todd. $375.00

Pics of the current show

The Station Arts Centre has turned out to be a great location for my original series of fractal art.  Their new lighting system really shows off the metal prints well, and the one wall was the perfect length to show off the larger paintings all together.  Much better than crowding them into my home gallery, that’s for sure!

Here I am with a few of the pieces, on the night of the opening:

Lianne+Metal PrintsLianne+PaintingsAlso, the Station Arts Centre took a few photos on the night of the opening and posted them on their Facebook page.  You can view them here.

The show runs until April 7.


Show Reprisal!!

I haven’t written in a little while but I now have some great news for followers in the area who haven’t had a chance to see my fractals in person yet.  I am showing those that are left (31 pieces) at the Station Arts Centre in Tillsonburg for the month of March.  The show opens March 6 (this Friday) at 7-9 pm.  It runs until April 7.  The show is called, this time, A Fractal Universe.  Come land in it!


Patterns of humanity

I have mentioned a few times in previous posts about fractal images often being archetypal.  I’m not really sure I was correct in describing them that way, but what I will say is that they often look familiar in a way that transcends their immediate translation into a real object.  For instance, when I first looked at this fractal image, I immediately thought of the Aztecs and the patterns they incorporated into their art forms.  Having now looked at some Aztec art in more depth, I’m not even sure why I thought of them, other than the  feather motif and the colours.  That’s just what immediately came to mind.  And I have other fractal images created (not shown here) which really speak to me of Native American blanket patterns.  Others might look at this piece and be more immediately aware of the hourglass shape.  Maybe you will look at it and see something else entirely.

My point is, from near the beginning of humanity, we have been making patterns, whether or not they were drawn with a stick in the sand, sculpted along the edge of a stone building’s rooftop, painted on a cathedral ceiling, or digitally on a tablet.  Possibly for 60,000 years, we have been making patterns!  And if you look at all the patterns we have been making, you may notice that many of them are self-similar on smaller and smaller scales.  We were making fractals and we didn’t have a name for what was common to them all.  And we didn’t have a concept of the way fractals were involved in the geometry of nature – not consciously, anyway.  Maybe we were consciously inspired by nature, but didn’t recognize that specific aspect of it.  Only for the last 30-40 years have we, thanks to Mandelbrot, come to an awareness of this common denominator.  I like the way fractals connect all of humanity over time, and the way they connect us to nature.   I’m really looking forward to exploring this with future pieces!

Aztec Gold. Watercolour on Gessoed Paper. 20x20". $625.00. Lianne Todd

Aztec Gold.
Watercolour on Gessoed Paper.
Artist Lianne Todd

Physical Phenomena

If I am postulating that the universe is fractal in nature, it makes sense that structures formed by molecules behaving in their natural way should be recognizable as fractals.  Such is the case with frost, turbulence, and bubbles.  Just do a little Google search with each of those terms alongside fractal, and you’ll see what I mean.  Mandelbrot made groundbreaking progress modelling turbulence, which had confounded mathematicians before him, using fractal geometry.

It also makes sense that in my random wanderings through the fractal universes I create, I encounter images that remind me of these phenomena.  Such is the case with these two fractals which I chose to paint.  I especially like the way the bubbles in Turbulence & Bubbles look like they are in the process of being blown, sometimes from multiple locations, and melding together when they meet, just like real bubbles would.

Hot Frost. Watercolour on Aquabord. 6x6". $175.00 Lianne Todd

Hot Frost.
Watercolour on Aquabord.
Lianne Todd

Turbulence & Bubbles. Watercolour on Gessoed Paper. 20x20". $625.00. Lianne Todd

Turbulence & Bubbles.
Watercolour on Gessoed Paper.
Lianne Todd

Imagining the Cosmos

As you may know, if you have been reading all of my blog posts, I like to dabble a little in cosmology.  Not that I really know anything about it, but it fascinates me, and I like the kind of abstract thought it stimulates.  I was given a Great Course one Christmas on Dark Matter, Dark Energy, The Dark Side of the Universe, which I’ve enjoyed a great deal.  Dr. Sean Carroll is great at explaining cosmology in a way that I, at least, can understand.  I also read Brian Greene’s The Hidden Reality, a fascinating book.  I subscribe to many Facebook Pages which post news about the latest pieces of knowledge in this field.  The abstract thought appeals to me, and I think I’m pretty good at it, but my math and physics skills are limited to helping out my children when they were doing grade twelve homework.  Which may be nothing to sneeze at, but is less than what is required for particle physics.

One of the things that really strikes me, is that the visual components, be they illustrations or actual data translated into an image, of almost every piece of news in cosmology, are recognizable to me as being fractal in nature.  Perhaps it is because I’ve spent so much time looking at fractals, zooming in, and examining them from every angle, that I notice this.  I am always mystified when no mention of fractals is made, in these cases.  I’ve written a  whole post (and another) about fractal dimensions before, so I won’t go into that here, but that’s another part of the puzzle I like to think about.

I know these two fractals don’t really illustrate anything in particular, but they make me think along the lines of particle physics, and stardust, and the early universe.

"Stardance". Watercolour on gessoed paper. 20x20". $625.00 Lianne Todd

“Stardance”. Watercolour on gessoed paper. 20×20″.
Lianne Todd

"Particles and Fields". Fractal Digital Art on Metal, single edition print. 20x20". $325.00 Lianne Todd

“Particles and Fields”.
Fractal Digital Art on Metal, single edition print. 20×20″.
Lianne Todd

This past summer, during my exhibit, I was told about a person in the same city (London, Ontario) who, it seemed, had a lot of the same thoughts I was having about the fractal nature of the universe.  She is a software engineer and has been studying fractals for much longer than I have!  Needless to say, her math skills are much better than mine.  I was fortunate to meet her (her name is Lori Gardi) this fall.  She has two websites, the first of which I’m going to direct you to Here, in which she has laid out some of her thoughts in a pretty clear way.  I’ll link you to the more recent one later… I think it’s a good idea to start at the beginning of her thought process. We (artists, software engineers, mathematicians, physicists, philosophers) may not all have the same thought processes or reach the same conclusions in our explorations of fractals and their role in the universe, but all avenues should be explored as long as they can exist within the rules that have been truly established by scientists and mathematicians in the past.  I am, unfortunately, not capable of judging whether anything follows those rules, but others who can, need to at least look at this work with an open mind and decide for themselves. ESPECIALLY if it may help solve any of the mysteries still out there.

Further into the realm of Fantasy

Often, when I’m voyaging through the through the little fractal universes I have generated using the software which I am so thankful exists, I encounter ‘places’ that look like they belong in an illustration for a book I’ve read somewhere along the way. I also encounter characters that look like they belong in those places.  Such was the case for this piece:

The Mage Emerges Digital Art Printed on Metal, single edition 24x24" $425.00 Lianne Todd

The Mage Emerges
Digital Art Printed on Metal, single edition
SOLD.  Private collection.
Artist Lianne Todd

The Experiment

This series of four paintings was an experiment.  Not a very scientific one but I did try to control variables and make predictions.  My hypothesis was that since all pigments are different in their molecule size, shape, and hydrophilic and hydrophobic qualities, they would all move differently through the medium of water, and as they interacted with each other, and that their movement would be fractal.  In other words, I expected them to appear, at the end, as if they were something like a cloud, or some other natural item that is already known to be able to be modelled using fractal geometry.  A coastline, for instance.

All four pieces were executed and controlled in the same way (I won’t give away all my secrets!), the only differences being the pigments I used and the order they were used in.  I tried to reduce the effects of gravity by levelling my table but it is kind of obvious there was a tiny bit of gravitational effect.  I changed the orientation of the final products so that when they were hung together, it would be aesthetically pleasing.  Other than that, the results you see here are basically the raw data.

I called them Negative Nebulae, because I looked at all the white space around them and imagined if it was black, and the colours were reversed, they would look a bit like those photos you see from NASA of distant nebulae.  In other words, these would be like the negatives of those photos.

Here they are – what do you think?:

Nebula Negative I Watercolour on Yupo 10x10" Lianne Todd

Nebula Negative I
Watercolour on Yupo
10×10″ (sold)
Lianne Todd

Nebula Negative II Watercolour on Yupo 10x10" Lianne Todd

Nebula Negative II
Watercolour on Yupo
10×10″ $125.00
Lianne Todd

Negative Nebula III Watercolour on Yupo 10x10" Lianne Todd

Negative Nebula III
Watercolour on Yupo
10×10″ (sold)
Lianne Todd

Negative Nebula IV Watercolour on Yupo 10x10" Lianne Todd

Negative Nebula IV
Watercolour on Yupo
10×10″ (sold)
Lianne Todd

Here is what they looked like at the exhibit:




Curious to know what they do really look like when you invert the colours?

Non Negative Nebula I (the inversion) Lianne Todd

Non Negative Nebula I
(the inversion)
Lianne Todd

Non Negative Nebula II (the Inversion) Lianne Todd

Non Negative Nebula II
(the Inversion)
Lianne Todd

Non Negative Nebula III (the inversion) Lianne Todd

Non Negative Nebula III
(the inversion)
Lianne Todd

Non Negative Nebula IV (the inversion) Lianne Todd

Non Negative Nebula IV
(the inversion)
Lianne Todd



This piece is called Looking Through.

"Looking Through" Digital Art printed on metal, single edition 20x20" $325.00 Artist: Lianne Todd

“Looking Through”
Digital Art printed on metal, single edition
$345.00 Artist: Lianne Todd

Looking through what?  A microscope?  A telescope? A porthole?

In a fractal universe, it doesn’t really matter.  Similar patterns are present on multiple scales.  Use your imagination!

This image is actually a combination of fractals – one for the thing we are looking through (the self-similarity on smaller scales provides the illusion of perspective and depth here), and one for what we are looking at (this is a flame fractal – more about them later).

As illustrated here, fractal geometry is quite versatile.  I’ve seen some discussion on ‘true’ fractals versus ‘near’ fractals and I would like to address that here for a moment.  There seems to be an opinion out there that for a fractal to be ‘true’ it must be a)infinite and b)exactly the same no matter what scale you look at.  Having read most of Benoit Mandelbrot’s Fractal Geometry of Nature, I have a problem with these stipulations.  First of all, the equation for Mandelbrot’s set is z_{n+1}=z_n^2+c, with as the number of iterations, where c is a complex parameter.  

There is more to explaining the Mandelbrot set than that, of course, but that is the equation, and if n is a given number, then it’s not infinite, is it?  Perhaps the possibility of an infinite number of iterations exists, but that’s an argument for another day.

And even Mandelbrot’s set is not exactly the same on multiple scales. The PATTERN is there, it’s just slightly altered at different scales.  It is self-similar.  This is one of the things which makes fractal geometry so suitable for modelling the universe.

In my understanding, there was never a suggestion by Mandelbrot, the founder of fractal geometry, that a “true” fractal had to be infinite OR exactly the same on multiple scales.  Rather, a fractal is strictly defined as “a set for which the Hausdorff Besicovitch dimension strictly exceeds the topological dimension.”

So, perhaps I’m getting it all wrong, but if you would like to argue I would welcome your discussion.

And now, because I was once a biologist and if you’re anything like me you need a more highly magnified look at that thing, here is a zoom of what you were “looking through” at:

sea creature zoomed in