Oxford Studio Tour coming up!

It’s April, and that means it is almost time for our annual Oxford Studio Tour here in Oxford County, Ontario.  My studio has been one of the locations for this tour since its inception nine years ago (I also look after the website and some other stuff!).  I will have plenty of work here for visitors to see.   If you’ve never been out on the tour, it is a great way to celebrate spring, which I am hoping is right around the corner… here is a view out my front window yesterday:

P1030893

So yeah, we’re not quite there yet.  But the daffodils in my back yard are really trying to bloom.  The ones out front are a little slower but they are hopeful.  Here is a painting I did of the ones out front a few years ago – it’s still available, along with several other watercolours in a variety of styles:

NewGrowthThey’ll get there.

One of the newer fractals that I showed at our recent Artists of Oxford show at Ingersoll Creative Arts Centre, is Diaphanous.  It will be here for the studio tour, along with some other new pieces.  I will even have a couple of Artifact scarves available for purchase.

Diaphanous. Original Digital Art, available printed as single edition on acrylic. 20x20"

Diaphanous. Original Digital Art, available printed as single edition on acrylic. 20×20″

I hope if you live in the region, you’ll grab a friend or three, hop in the car, and make a day of it.  There is a ton of talent to see on this tour, as well as a lot of lovely countryside, and I especially hope you’ll make it out to my location, #6, at the south end of the county.  Here is a google map of the whole tour.

Keep an eye out for our red posters advertising the tour around the region, and our printed brochures designed by artist and graphic designer Rhonda Franks (she’s at location #7 along with Sue Goossens, who is the founder for the tour).  The brochures include descriptions and maps to help guide you around the tour.  If you’d like me to mail you a brochure, please contact me!

The scarves are selling!

I still have my design page on VIDA, where you can purchase the 100% natural Charmeuse silk square scarves with my fractal designs on them.  These are larger (34.5×34.5″) than any of my wall pieces with the added value of being wearable!  VIDA emailed me the other day letting me know traffic to my page has been strong, and in the email they sent a few coupon codes for me to pass along.

Here they are!

5 USD Gift Card off Orders 50 USD+ (use code PMCG3191V3IX)
15 USD Gift Card off Orders 100 USD+ (use code 83PNNJ8ZCUCE)
40 USD Gift Card off Orders 200 USD+ (use code NHJTDLZ2XS7P)

This offer expires on Sunday January 24th at midnight PST.

GroovyPageVIDA

HiggsBosonPageVIDA

ArtifactsPageVIDA

 

Wearable Fractals!

I am very excited to share with you a new direction I am taking with my fractal art.  I was approached a couple of weeks ago by VIDA, which is a global partnership of co-creators – artists and designers all over the world, makers in Pakistan, India, Sri Lanka and Latin America, and consumers all over the world.  They are backed by, among others, Google Ventures and Universal Music Group. One of the reasons I accepted their proposal is their socially responsible outlook.  The makers receive a living wage, as well as a basic literacy and math education they wouldn’t ordinarily get.  The artists receive ten percent of all sales from their collection, and nothing is made until it is ordered.

I love the idea of my fractal art being worn!  What a great way to show off the natural beauty of the fractals while increasing my exposure as an artist.  I have chosen, at least as a starting point, to only use either my original watercolour fractals as designs, or digital fractals I haven’t printed on metal or acrylic.  My first pieces are silk square scarves, as they worked well with designs I had already created.  One of them has been designed using the software Mandelbulb 3D.  Click on the image below to visit my VIDA collection and shop online!

VIDApage

November News

I am very pleased to announce that some of my fractal art will now be available at the Art Gallery of Lambeth!  I grew up in that area so it is really nice to be able to display my art there.

I still have many pieces at my home studio/gallery though, and that’s a good thing, because this weekend is Welcome Back to Otterville, our 19th annual Studio Tour.

For details, please see my previous post. As always, I have a few things left to do before morning so I will keep this short!

You could also visit my other site, liannetodd.wordpress.com, to see a couple of new pieces I will have on display.

KONICA MINOLTA DIGITAL CAMERAWBTOCardBack2015sm

You are invited…

I have the detailed information for the show I told you about a while ago, and I also want to tell you about another show, so please scroll down!

This is a free event, and there will be refreshments served.  The Elm Hurst is a lovely place to dine, and the food is really good, but don’t feel obligated to stay for dinner if you can’t.  The gallery is in the hallway between the lobby and the restaurant.

OCCElmhurst_07_16 lowres

 

On July 19 I will also be participating in a one-day outdoor show at the Quai du Vin Estate Winery, called Off the Wall!…and Off the Vine.  The winery is near Sparta, ON.  My tent will be in the area called “El Prado”.  At this show I will mainly be exhibiting my more traditional watercolours, which you may see more of at my other site, liannetodd.wordpress.com.  I will have some new winery-themed pieces.  Here are the details:

OTW Poster Web

Oxford Studio Tour this coming weekend

It seems that the first weekend of May has crept up on me and while I’ve been posting about the Oxford Studio Tour on my Facebook page and my Twitter account (@artnaturali), and on my other website, I neglected to do so here!  It’s this coming weekend already and I hope you haven’t made other plans yet.

I will be in my gallery/studio which is Stop #7 on the tour, to welcome you all this weekend. Visitors will be flocking to Oxford County, Ontario to view, enjoy, and purchase art.  I have an abundance to show.  Many of my fractal paintings, photos, and original single edition prints will be here, and many of my original paintings of other subjects.  These include watercolour paintings on traditional paper, on gesso-coated paper, and on yupo.  I will have two brand new fractal metal prints on display, as well as a new piece printed on acrylic!  In addition to this, there will be some new fractal photos, and some new non-fractal pieces in watercolour.  Brochures for the tour are available at a number of locations – including here at my studio!  To get you started, here is a map to my location.  I’m about an hour from Hamilton/Burlington, an hour from London, or an hour from Kitchener/Waterloo.

2015 oxford studio poster smP.S. I accept cash and cheques for purchases of my art – but not credit cards, sorry!  (There is an ATM at the Royal Bank just down the street though).

Turbulence Revisited

Big whorls have little whorls
Which feed on their velocity,
And little whorls have lesser whorls
And so on to viscosity.
-Lewis F. Richardson

In the book I reviewed in my last post, Chaos: The Making of a New Science, by James Gleick, this quote begins one of the chapters.  And in the first paragraph of that chapter, another quote is mentioned which is in the description of this interesting video about the unexpected math in Van Gogh’s Starry Night.

James Gleick makes no reference to that painting, but goes on to describe the stories of past mathematicians and physicists trying and failing to solve the problem of turbulence.  Finally, along came Chaos Theory and Fractal Geometry, and things started to make some sense.  It is easy to understand why, when you look at the self-similarity and the complex patterns of a turbulent system.

I wonder what was going through Van Gogh’s mind when he was painting Starry Night.  According to the video, it was during one of his “periods of psychotic agitation”.  Perhaps the patterns approaching chaos happening in the electrical signals of his brain were translated to his expression with paint?  It’s an interesting point to ponder when you consider all of the systems in our bodies that involve fractal patterns.

I can assure you I was perfectly calm and sane during the painting of Turbulence and Bubbles – I was just letting my own hands and brain interpret the patterns that arose from an external fractal formula.  When I first started I had a completely different title in my mind, but then as I was painting it, I realized the black whorls reminded me of turbulence, and it looked like the yellow parts were bubbles emerging from some unknown source within it, and merging with each other when they touched.  We know turbulent systems do produce bubbles… (think boiling water)… I doubt this is how, but still!   I know I’ve introduced it before but here it is again:

Turbulence & Bubbles. Watercolour on Gessoed Paper. 20x20". $625.00. Lianne Todd

Turbulence & Bubbles.
Watercolour on Gessoed Paper.
20×20″.
$650.00.
Lianne Todd

Here is a raw fractal which, to me, looks like a cross section of a wave crashing in.  A detail, below it, shows the patterns present within.  I haven’t quite decided what I’m doing with this one yet, but thought I would show it to you as it relates to this post so well.  It’s not exactly turbulence, as there aren’t any true whorls, but you can see how fractal geometry would lend itself to the study of turbulent systems.

waveeditsmwaveeditcrop

Pics of the current show

The Station Arts Centre has turned out to be a great location for my original series of fractal art.  Their new lighting system really shows off the metal prints well, and the one wall was the perfect length to show off the larger paintings all together.  Much better than crowding them into my home gallery, that’s for sure!

Here I am with a few of the pieces, on the night of the opening:

Lianne+Metal PrintsLianne+PaintingsAlso, the Station Arts Centre took a few photos on the night of the opening and posted them on their Facebook page.  You can view them here.

The show runs until April 7.

 

Show Reprisal!!

I haven’t written in a little while but I now have some great news for followers in the area who haven’t had a chance to see my fractals in person yet.  I am showing those that are left (31 pieces) at the Station Arts Centre in Tillsonburg for the month of March.  The show opens March 6 (this Friday) at 7-9 pm.  It runs until April 7.  The show is called, this time, A Fractal Universe.  Come land in it!

AFractalUniversegraphicwb

Patterns of humanity

I have mentioned a few times in previous posts about fractal images often being archetypal.  I’m not really sure I was correct in describing them that way, but what I will say is that they often look familiar in a way that transcends their immediate translation into a real object.  For instance, when I first looked at this fractal image, I immediately thought of the Aztecs and the patterns they incorporated into their art forms.  Having now looked at some Aztec art in more depth, I’m not even sure why I thought of them, other than the  feather motif and the colours.  That’s just what immediately came to mind.  And I have other fractal images created (not shown here) which really speak to me of Native American blanket patterns.  Others might look at this piece and be more immediately aware of the hourglass shape.  Maybe you will look at it and see something else entirely.

My point is, from near the beginning of humanity, we have been making patterns, whether or not they were drawn with a stick in the sand, sculpted along the edge of a stone building’s rooftop, painted on a cathedral ceiling, or digitally on a tablet.  Possibly for 60,000 years, we have been making patterns!  And if you look at all the patterns we have been making, you may notice that many of them are self-similar on smaller and smaller scales.  We were making fractals and we didn’t have a name for what was common to them all.  And we didn’t have a concept of the way fractals were involved in the geometry of nature – not consciously, anyway.  Maybe we were consciously inspired by nature, but didn’t recognize that specific aspect of it.  Only for the last 30-40 years have we, thanks to Mandelbrot, come to an awareness of this common denominator.  I like the way fractals connect all of humanity over time, and the way they connect us to nature.   I’m really looking forward to exploring this with future pieces!

Aztec Gold. Watercolour on Gessoed Paper. 20x20". $625.00. Lianne Todd

Aztec Gold.
Watercolour on Gessoed Paper.
20×20″.
$650.00.
Artist Lianne Todd